Sending your manuscript to an editor
with the instructions of “I need this edited” is like going to the mattress
store and saying “I need a mattress.” You are very likely to get what you don't want.
When last I posted, we were
discussing Goldilocks, freelance editor. Let’s take a brief look at her
results:
This bed is too little: Goldilocks barely made any changes.
This bed is too big: Goldi made so many changes your manuscript is unrecognizable.
This bed is just right: Goldi corrected your poor punctuation and spelling, made the
story flow more smoothly, and retained the integrity of your voice and the
story. “Wow! This is amazing. She’s made me sound so much better.”
There are three edit levels in the editing
world. What I have dubbed full, queen and king size equates to a light, medium
and heavy edit. The level of editing required to make your manuscript “just
right” and ready for book shelves depends on the quality of your writing. It
may need only a light edit or it may require a heavy edit. But a good content
editor will not do what Goldi did—return to you an unrecognizable manuscript.
The major difference between these
levels of editing is rewriting. According to Amy Einsohn, author of The Copyeditor’s Handbook, a light edit
will “point out paragraphs that seem egregiously wordy or convoluted,” but will not revise or suggest revisions, and will “ignore
minor patches of wordiness.” Let’s
take one step up to medium, and now those patches of wordiness will get “suggested
revisions.” A heavy edit will actually rewrite those passages in addition to
all the other things a standard copyedit entails.
Debra L. Butterfield © 2012